Learning to be creative on and off the distributed web

Backwaters, Kerala (* see note below)

Although the final week of the E-Learning 3.0 course is almost over, I haven’t yet finished thinking about the penultimate week on Experience.

The guest speaker for this week was Amy Burvall.  I really enjoyed her conversation with Stephen Downes. The recording is below.

Amy is a creativity expert, who tries to ‘make’ something every day. She believes in remix as a culture, transparency of work and multi-media work and has a website and many videos to prove it.  She has published a creativity handbook for teachers, which has recipes for creative thinking and has been designed to be remixable. Teachers are encouraged to take a prompt, work with it and share it with a given hashtag. Interestingly, Amy said that a community was growing around this hashtag, which is what Stephen thought could happen around the #el30 hashtag for this course, when the topic focussed on community.

Stephen sees creativity as pattern recognition and Amy suggested that creativity is being able to see juxtapositions and relationships that others don’t. Both these ideas fit with my experience.

Amy also believes that constraints help creativity and that learners should be encouraged to articulate why they made what they made. I’m not sure about this. Whilst I can see the value of articulating learning processes for the learner, a part of me says that a work of ‘art’ should be able to speak for itself, and doesn’t need to be accompanied by the artist’s explanation, but I think it depends on what the work of art is. A question has just entered my head – Is art that is created online, using technical tools, always conceptual art?  This question feels significant to me, but at the moment I can’t put my finger on why.

For Amy a computer can create art, but she asks where is the backstory that touches her heart and makes the emotional connection. I think this is why she feels that learners should be encouraged to explain their art. She says we are craving experience rather than stuff and agrees with Stephen that the creation of the content is part of the content. I can see that the creation of content is part of the content and that art should touch the heart and make an emotional connection, but I am still not convinced that this needs articulating.

Serendipitously in the same week that I listened to Amy’s conversation with Stephen, I listened to a podcast of a conversation between John Cleese and Iain McGilchrist (the first night podcast), who also talked about creativity, but in different terms.

They started by bemoaning the fact that creativity for comedians is being constrained by political correctness and that they can no longer make fun of people. (John Cleese stressed that this should be in an affectionate, not in a nasty way.) For John Cleese, all humour is about human imperfection, and is needed because we are not good at laughing at ourselves. All humour is critical. You have to be creative to be a comic.

In their conversation they touched on a number of ideas which overlapped with Stephen and Amy’s conversation, as well as coming at it from a different perspective. Some of the points they made were:

  • Creativity is mainly stopping doing things. We have to allow space for new ideas. (I have heard McGilchrist talk about this before – Exploring the Divided Brain. Creativity, Paradox and Negation.)
  • Artists let go and let things happen.
  • Creativity is non-intellectual and unconscious.
  • Moments of insight come out of the blue.
  • You can’t create to a schedule.
  • The moment you have an idea, allow the creative idea time. A new born idea needs time to grow.
  • Creative artists know how to play and take longer to make their minds up. It’s a healthy habit not to give snap answers.
  • There’s wisdom in I’ll just sleep on it.

Amy Burvall also talked about negative capability and living with ambiguity and uncertainty. She said creativity is a way of being, a way of approaching the world. We should live like an artist, dance as though nobody’s watching, and kill that internal editor! I think John Cleese and Iain McGilchrist would agree.

Stephen has provided some great resources for this topic which I am copying here as I still have to catch up on quite a few of them.

I can again particularly recommend his summary Feature Article.

*Note about the photo: Backwaters Kerala. This is my current location for the next three weeks, which also explains why I am a week behind on the course!

Resources

Feature Article E-Learning 3.0, Part 8 – Experience
stephen@downes.ca, Dec 20, 2018.
The challenge for educators and for society in general will be in managing and accepting the transition from emphasizing ‘what people learn’ to ‘how people learn’. Like the creative process itself, what’s important is not what is created – it could be anything from a cake to a cathedral – but rather how it is created. It is the history, process and provenance of the creation that gives it meaning, relevance, and ultimately, truth.

How to Be an Artist
Jerry Saltz, Vulture, 2018/12/12
Good advice that could be applied not only to art but to anything (substitute ‘research scientist’ for ‘artist’ and you get the same useful tips): “How do you get from there to making real art, great art? There’s no special way; everyone has their own path. Yet, over the years, I’ve found myself giving the same bits of advice. Most of them were simply gleaned from looking at art, then looking some more. Others from listening to artists talk about their work and their struggles. (Everyone’s a narcissist.) I’ve even stolen a couple from my wife.”

Twitch
2018/12/12
“We are a global community of millions who come together each day to create their own entertainment: unique, live, unpredictable, never-to-be repeated experiences created by the magical interactions of the many. With chat built into every stream, you don’t just watch on Twitch, you’re a part of the show.”

Fostering Creativity
Amy Burvall, YouTube, 2018/12/12
Amy Burvall offers a series of pink Post-It notes talking about aspects and properties of creativity – running from ‘remix’ to ‘messy’ to ‘constraint’. Web: [Direct Link]

Openness to Experience and Creative Achievement
Scott Barry Kaufman, Scientific American, 2018/12/12
Openness to experience– the drive for cognitive exploration of inner and outer experience– is the personality trait most consistently associated with creativity. Web: [Direct Link]

Stephen’s Web: Creativity
Stephen Downes, Stephen’s Web, 2018/12/13
I’ve covered the topic of creativity quite a bit over the years. This is a listing of the posts I’ve written referring to different resources on creativity. There’s a lot to pick and choose from. Web: [Direct Link]

The Sources of Innovation and Creativity
Karlyn Adams, National Center on Education and the Economy, 2018/12/14
The following pages represent a comprehensive summary of current research and theory on the sources of innovation and creativity, both in individuals and organizations.  Based on the recurring concepts in the existing literature, the paper concludes with some recommendations for how education systems can best foster these attributes in students.

#getsmART: Lessons from the Artists
Amy Burvall, YouTube, 2018/12/16
What insights can we gain from studying the lives and creative processes of famous artists? Thinking like an artist means being porous, pushing past, and playing. This talk was given (in a slightly different form ) at TEDxWestVancouverED. Web: [Direct Link]

Crushing It with Creativity- The Virtual Summit EU keynote
Amy Burvall, Slideshare, 2018/12/16 Web: [Direct Link]

Creativity
Amy Burvall, AmusED, 2018/12/16
All of Amy Burvall’s posts on creativity. See also: Amy Burvall’s website. Web: [Direct Link]